Shadow hills mastering compressor12/15/2023 ![]() Overall, its hard to fault the UAD MK II releases, they are so great, but along with the UAD 1176 MKII, the VBC is my favorite comp bundle. I have to say, I was skeptical about Slate, and had avoided them because some of their claims seemed a bit to good to be true, but now they have my undivided attention! I'm now looking forward to their Virtual Mix Rack, and squirreling away my lunch money. The one I have used the least so far is the Red, simply because I was having so much fun with the other two. Perhaps they modeled Manley Vari Mu, and incorporated it (they don't come out and say which "MU's" they modeled of course). This is all so subjective, but I instantly clicked with it. A selection of three different types of output transformers - Nickel, which adds a nice top end sparkle. FG-MU sounds more modern, and seems to suit rock mixes better to my ears. Exacting emulation of the original Shadow Hills Mastering Compressorapproved and endorsed by Peter Reardon, the founder of Shadow Hills Industries. The Shadow Hills Mastering Compressor plug-in for UAD hardware and UA Audio Interfaces provides everything from a velvet touch to an iron fist making it a go-to on records by Muse, Green Day, Gnarls Barkley, and more. Also, FG-MU is amazing! I personally find it much more useful than the Fairchild MKII, especially in the mix bus. 149.00 The world’s most remarkable and revered audio compressor available as a UAD plug-in. Since Slate's version is a modified SSL, it could be argued that it isn't authentic, but for me, FG-Grey beats UAD SSL for how it sounds to me (subjective). Slate added a transformer to the signal path of the FG-Grey, and I like it better than the transformer matrix on the SHMC. I also like it better than the VCA comp on SHMC. To me the transients stay firmer at larger reduction values than UAD SSL Buss, and I really like the hi pass side chain. I A/B'd FG-Grey with UAD SSL Buss comp, and I like FG-Grey better. I was demoing this yesterday, and I really like the sound of these comps even when you put them in the circuit without compressing. The Shadow Hills Mastering Compressor is equipped with two VU meters for proper visual analysis of audio processing. OTOH, he was smashing that drum kit to hell! If I did that in a mastering session, I'd fire me.īumping this old thread because I am way impressed with Slate VBC. I did like that extra bit of woody upper-mid presence the hardware exhibited in the demo vid though. I agree the SHMC doesn't quite match the hardware in the video comparison, but I have successfully used it in mastering, and would use it in a mix as well. Matt - I respect you greatly, but IMHO, a comp 'across the mix bus' is already mastering (at least a first step), unless you take it off before running the mix unless you mean a group (aux). I found the promising mix knobs in the Slate to sound odd - phasey, like they didn't nail the sample accuracy or need to run the 'dry' signal through the modeling to make it match. I wanted to, but it just wasn't quite there. I personally didn't like the Slate VBC package to buy it. I do enough mastering to know that a LA2a into a SSL, 33609 or 1176 just doesn't match the SHMC. Very bad experience.Each of the compressor mentioned are distinctly different. ![]() A known-issue could have seriously damaged my equipment and my ears. I contacted the developer and it was a "known issue". This happened on two occasions during the two days that I worked with it. ![]() Compression activity is different and the tone is WAY off.Īlso, when I demo'd the Aquamarine, the plugin - out of the blue - emitted a horrendously loud chunk of white noise. Up until there, though, I gotta say that the UAD plugin is pretty great! Aquamarine, on the other hand, just. Also, the stereo imaging on the UAD is quite different after that 2db reduction area. Shadow Hills Mastering Compressor Alternative When you buy products through links across our site, we may earn an affiliate commission. The UAD is actually quite good unless you surpass the 2db reduction area, then the tone starts deviating, while the compression acts correctly - it's the tone that sort of falls flat at that point. I'm very familiar with the SHMC as we use a HW unit in the studio quite often - and, let's just say that I found the nebula version to be miles and leagues different in sound texture. I've never had any luck with Nebula - although, I only tried their Aquamarine. ![]()
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